1.0Oscilloscope - Filmshttps://oscilloscope.net/filmsoscopehttps://oscilloscope.net/films/author/oscope/rich600338<blockquote class="wp-embedded-content" data-secret="vG0o63NMlw"><a href="https://oscilloscope.net/films/film/burma-vj/">Burma VJ</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://oscilloscope.net/films/film/burma-vj/embed/#?secret=vG0o63NMlw" width="600" height="338" title="“Burma VJ” — Oscilloscope - Films" data-secret="vG0o63NMlw" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://oscilloscope.net/films/wp-includes/js/wp-embed.min.js </script> https://oscilloscope.net/films/wp-content/uploads/2023/12/BurmaVJ_machine.jpg600800Anders Østergaard’s award-winning documentary shows a rare inside look into the 2007 uprising in Myanmar through the cameras of the independent journalist group, Democratic Voice of Burma. Risking torture and life imprisonment, the VJs vividly document the brutal clashes with the military and undercover police – even after they themselves become targets of the authorities.